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Romeo and Juliet: Act 4, Scene 5


Summary

           [Enter Nurse.]

      Nurse
  1   Mistress! what, mistress! Juliet! — Fast, I warrant her, she. —
  2   Why, lamb! why, lady! fie, you slug-a-bed!
  3   Why, love, I say! madam! sweet-heart! why, bride!
  4   What, not a word? You take your pennyworths now;
  5   Sleep for a week; for the next night, I warrant,
  6   The County Paris hath set up his rest,
  7   That you shall rest but little. God forgive me!
  8   Marry, and amen, how sound is she asleep!
  9   I must needs wake her. Madam, madam, madam!
 10   Ay, let the county take you in your bed;
 11   He'll fright you up, i' faith. Will it not be?

           [Draws back the bed curtains.]

 12   What, dress'd! and in your clothes! and down again!
 13   I must needs wake you; Lady! lady! lady!
 14   Alas, alas! Help, help! my lady's dead!
 15   O, well-a-day, that ever I was born!
 16   Some aqua vitae, ho! My lord! my lady!

           [Enter LADY CAPULET.]

      LADY CAPULET
 17   What noise is here?

      Nurse
 17                           O lamentable day!

      LADY CAPULET
 18   What is the matter?

      Nurse
 18                           Look, look! O heavy day!

      LADY CAPULET
 19   O me, O me! My child, my only life,
 20   Revive, look up, or I will die with thee!
 21   Help, help! Call help.

           Enter Father [CAPULET.]

      CAPULET
 22   For shame, bring Juliet forth; her lord is come.

      Nurse
 23   She's dead, deceased, she's dead; alack the day!

      LADY CAPULET
 24   Alack the day, she's dead, she's dead, she's dead!

      CAPULET
 25   Ha! let me see her: out, alas! she's cold:
 26   Her blood is settled, and her joints are stiff;
 27   Life and these lips have long been separated:
 28   Death lies on her like an untimely frost
 29   Upon the sweetest flower of all the field.

      Nurse
 30   O lamentable day!

      LADY CAPULET
 30                           O woeful time!

      CAPULET
 31   Death, that hath ta'en her hence to make me wail,
 32   Ties up my tongue, and will not let me speak.

Summary

           Enter FRIAR [LAURENCE]
           and the COUNTY [PARIS,
           with the MUSICIANS].

      FRIAR LAURENCE
 33   Come, is the bride ready to go to church?

      CAPULET
 34   Ready to go, but never to return.
 35   O son! the night before thy wedding-day
 36   Hath Death lain with thy wife. There she lies,
 37   Flower as she was, deflowered by him.
 38   Death is my son-in-law, Death is my heir;
 39   My daughter he hath wedded: I will die,
 40   And leave him all; life, living, all is Death's.

      PARIS
 41   Have I thought long to see this morning's face,
 42   And doth it give me such a sight as this?

      LADY CAPULET
 43   Accursed, unhappy, wretched, hateful day!
 44   Most miserable hour that e'er time saw
 45   In lasting labor of his pilgrimage!
 46   But one, poor one, one poor and loving child,
 47   But one thing to rejoice and solace in,
 48   And cruel death hath catch'd it from my sight!

      Nurse
 49   O woe! O woeful, woeful, woeful day!
 50   Most lamentable day, most woeful day,
 51   That ever, ever, I did yet behold!
 52   O day! O day! O day! O hateful day!
 53   Never was seen so black a day as this:
 54   O woeful day, O woeful day!

      PARIS
 55   Beguiled, divorced, wronged, spited, slain!
 56   Most detestable death, by thee beguil'd,
 57   By cruel cruel thee quite overthrown!
 58   O love! O life! not life, but love in death!

      CAPULET
 59   Despised, distressed, hated, martyr'd, kill'd!
 60   Uncomfortable time, why camest thou now
 61   To murder, murder our solemnity?
 62   O child! O child! my soul, and not my child!
 63   Dead art thou! Alack! my child is dead;
 64   And with my child my joys are buried.

      FRIAR LAURENCE
 65   Peace, ho, for shame! confusion's cure lives not
 66   In these confusions. Heaven and yourself
 67   Had part in this fair maid; now heaven hath all,
 68   And all the better is it for the maid.
 69   Your part in her you could not keep from death,
 70   But heaven keeps his part in eternal life.
 71   The most you sought was her promotion;
 72   For 'twas your heaven she should be advanced,
 73   And weep ye now, seeing she is advanced
 74   Above the clouds, as high as heaven itself?
 75   O, in this love, you love your child so ill,
 76   That you run mad, seeing that she is well.
 77   She's not well married that lives married long;
 78   But she's best married that dies married young.
 79   Dry up your tears, and stick your rosemary
 80   On this fair corse; and, as the custom is,
 81   In all her best array bear her to church;
 82   For though fond nature bids us all lament,
 83   Yet nature's tears are reason's merriment.

      CAPULET
 84   All things that we ordained festival,
 85   Turn from their office to black funeral;
 86   Our instruments to melancholy bells,
 87   Our wedding cheer to a sad burial feast,
 88   Our solemn hymns to sullen dirges change,
 89   Our bridal flowers serve for a buried corse,
 90   And all things change them to the contrary.

      FRIAR LAURENCE
 91   Sir, go you in; and, madam, go with him;
 92   And go, Sir Paris; every one prepare
 93   To follow this fair corse unto her grave:
 94   The heavens do lour upon you for some ill;
 95   Move them no more by crossing their high will.

Summary

           [Exeunt CAPULET, LADY CAPULET,
           PARIS, and FRIAR LAURENCE.]

      First Musician
 96   Faith, we may put up our pipes, and be
 97   gone.

      Nurse
 98   Honest goodfellows, ah, put up, put up;
 99   For, well you know, this is a pitiful case.

           [Exit.]

      First Musician
100   Ay, by my troth, the case may be
101   amended.

***        Enter [PETER].

      PETER
102   Musicians, O, musicians, "Heart's ease,"
103   "Heart's ease." O, an you will have me live, play
104   "Heart's ease."

      First Musician
105   Why "Heart's ease?"

      PETER
106   O, musicians, because my heart itself plays
107    "My heart is full of woe." O, play me some
108    merry dump, to comfort me.

      First Musician
109   Not a dump we; 'tis no time to play now.

      PETER
110   You will not, then?

      First Musician
111   No.

      PETER
112   I will then give it you soundly.

      First Musician
113   What will you give us?

      PETER
114   No money, on my faith, but the gleek;
115   I will give you the minstrel.

      First Musician
116   Then I will give you the serving-creature.

      PETER
117   Then will I lay the serving-creature's dagger on
118   your pate. I will carry no crotchets: I'll re you,
119   I'll fa you; do you note me?

      First Musician
120   An you re us and fa us, you note us.

      Second Musician
121   Pray you, put up your dagger, and put out your
122    wit.

      PETER
123   Then have at you with my wit! I will dry-beat
124   you with an iron wit, and put up my iron dagger.
125   Answer me like men:
126      "When griping griefs the heart doth wound,
127        And doleful dumps the mind oppress,
128      Then music with her silver sound"—
129   why "silver sound"? why "music with her silver
130   sound"? What say you, Simon Catling?

      First Musician
131   Marry, sir, because silver hath a sweet
132   sound.

      PETER
133   Pretty! What say you, Hugh Rebeck?

      Second Musician
134   I say "silver sound," because musicians sound
135   for silver.

      PETER
136   Pretty too! What say you, James
137   Soundpost?

      Third Musician
138   Faith, I know not what to say.

      PETER
139   O, I cry you mercy; you are the singer: I will say
140   for you. It is "music with her silver sound,"
141   because musicians have no gold for sounding:
142      "Then music with her silver sound
143      With speedy help doth lend redress."

           Exit.

      First Musician
144   What a pestilent knave is this same!

      Second Musician
145   Hang him, Jack! Come, we'll in here, tarry for the
146   mourners, and stay dinner.

           Exeunt.

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