Philip Weller caricature
Philip and Weller hugging

Welcome to my web site, now under development for more than twenty years.   
-- Philip Weller, November 13, 1941 - February 1, 2021
Dr. Weller, an Eastern Washington University professor of English and Shakespearean scholar for more than 50 years.

Othello Navigator: Index of Themes and Motifs

The importance of self-esteem is a modern cliché, but Shakespeare has some insights about the subject, too. This page indexes characters' direct statements about themselves. (The entries for Othello, Desdemona, and Iago are repeated on separate pages, which you can find via the Major Characters page.)

In Othello, we see the kind of jealousy which is envy of what others have, and the kind which is fear of losing what we have.

Romantic Love.
To Iago, love is only lust; to others in the play it is much more.

Brotherly Love.
In Shakespeare, characters say they "love" one another in situations where modern (C.E. 2011) people usually say they are one another's "best friends." It is the kind of love which we feel for our parents or our children. This kind of love is an ideal which is honored by Othello, Cassio, Desdemona, and Emilia. Iago, on the other hand, uses the ideal of brotherly love for his own vile ends.

Reputation and Honor.
Iago is a clear example of the idea that the difference between reputation and honor is the difference between appearance and reality. He has a good reputation, but no true honor. However, Iago is a monster who doesn't care about his honor. For other characters in the play, especially Othello, it's not so easy to distinguish between honor and reputation.

Storms, rushing waters, a fountain, a stream, and tears signify passions from love to hatred.

Black and White.
Not only is Othello a black man in a white world, but the contrast between black and white is used as a metaphor by many characters, including Othello.

Proof and Judgment.
In courts of law various kinds of proof are offered, including physical evidence, circumstantial evidence, evidence of motivation, testimony of witnesses, and statements by the accused. Othello comes to believe that he has all of these kinds of proofs of Desdemona's unfaithfulness, and passes judgment on her, then discovers that the proofs proved nothing.

The Handkerchief.
The handkerchief is a visual reminder of the blindness caused by passion. It first appears when Othello is already in the throes of jealousy, and then is used as Iago's main "proof" in his case against Desdemona. Finally, at the end of the play, Emilia's knowledge that her husband took the handkerchief leads to Othello's discovery of the truth of the situation.

The Devil.
Characters in the play speak of the devil as a liar and a hypocrite, as one who both tempts people to sin and punishes their sins. Cassio thinks that the devil is in drink, Othello comes to think that the devil is in Desdemona, and Iago thinks that Othello is the devil simply because he's black. At the end, Iago is shown to be the true devil of the story.

Desdemona's "Willow Song" is famous, but the play also contains two other songs, and some references to music.

Men and Women.
There's an interesting contrast between Iago's diatribe about women and Emilia's long speech claiming that if there's anything wrong with women, it's the fault of their husbands.