As You Like It: Act 2, Scene 7
[A picnic laid out.] Enter DUKE SENIOR,
AMIENS, and Lords like outlaws.
DUKE SENIOR
1
I think he be transform'd into a beast;2. like: in the form of.
2
For I can no where find him like a man.
First Lord
3
My lord, he is but even now gone hence: 4
Here was he merry, hearing of a song.
DUKE SENIOR
5. compact of jars: composed entirely of discords.
5
If he, compact of jars, grow musical,
6
We shall have shortly discord in the spheres. 7
Go, seek him: tell him I would speak with him.
Enter JAQUES.
First Lord
8
He saves my labour by his own approach.
DUKE SENIOR
9
Why, how now, monsieur! what a life is this, 10
That your poor friends must woo your company? 11
What, you look merrily!
JAQUES
12
A fool, a fool! I met a fool i' the forest,
17. In good set terms: i.e., intelligently, in a logical manner.
19. 'Call . . . fortune': —An allusion to the proverb "Fortune favors fools."

13
A motley fool; a miserable world! 14
As I do live by food, I met a fool 15
Who laid him down and bask'd him in the sun, 16
And rail'd on Lady Fortune in good terms, 17
In good set terms and yet a motley fool. 18
'Good morrow, fool,' quoth I. 'No, sir,' quoth he, 19
'Call me not fool till heaven hath sent me fortune:' 20
And then he drew a dial from his poke, 21
And, looking on it with lack-lustre eye, 22
Says very wisely, 'It is ten o'clock: 23
Thus we may see,' quoth he, 'how the world wags: 24
'Tis but an hour ago since it was nine, 25
And after one hour more 'twill be eleven; 26
And so, from hour to hour, we ripe and ripe, 27
And then, from hour to hour, we rot and rot; 28
And thereby hangs a tale.' When I did hear29. moral: moralize.
29
The motley fool thus moral on the time,30. crow: i.e., laugh loudly. chanticleer: a cock.
31. deep-contemplative: profoundly thoughtful.
32. sans: without.
31. deep-contemplative: profoundly thoughtful.
32. sans: without.
30
My lungs began to crow like chanticleer, 31
That fools should be so deep-contemplative, 32
And I did laugh sans intermission 33
An hour by his dial. O noble fool!34. wear: costume.
34
A worthy fool! Motley's the only wear.
DUKE SENIOR
35
What fool is this?
JAQUES
36
O worthy fool! One that hath been a courtier, 37
And says, if ladies be but young and fair, 38
They have the gift to know it: and in his brain,39. dry: —Dryness of the brain was supposedly connected with good memory. remainder biscuit: leftover hardtack . . . 41. observation: i.e., reflections, opinions, insights, etc. vents: utters.
39
Which is as dry as the remainder biscuit 40
After a voyage, he hath strange places cramm'd 41
With observation, the which he vents 42
In mangled forms. O that I were a fool! 43
I am ambitious for a motley coat.
DUKE SENIOR
44
Thou shalt have one.
JAQUES
44. It is my only suit: (1) It's all I'm asking for. (2) It's the only suit of clothes I want to wear.
44
It is my only suit; 45
Provided that you weed your better judgments46. grows rank: grows thick (like weeds).
46
Of all opinion that grows rank in them 47
That I am wise. I must have liberty48. Withal: also. charter: privilege, license.
48
Withal, as large a charter as the wind, 49
To blow on whom I please; for so fools have;50. galled: rubbed on a sensitive spot.
50
And they that are most galled with my folly, 51
They most must laugh. And why, sir, must they so? 52
The 'why' is plain as way to parish church:53. He that a fool doth very wisely hit: he that is wittily and accurately attacked by a fool. 54. Doth: acts. he smart: he feels sharp pain. 55. senseless of: insensible to. bob: jibe, taunt. 56. The wise . . . anatomized: i.e., the supposedly wise man's foolishness is laid bare. 57. squand'ring glances: random light witty hits. 58. Invest me in my motley: i.e., grant me the official garb and status of a jester.
53
He that a fool doth very wisely hit 54
Doth very foolishly, although he smart, 55
Not to seem senseless of the bob: if not, 56
The wise man's folly is anatomized 57
Even by the squand'ring glances of the fool. 58
Invest me in my motley; give me leave 59
To speak my mind, and I will through and through 60
Cleanse the foul body of the infected world, 61
If they will patiently receive my medicine.
DUKE SENIOR
62
Fie on thee! I can tell what thou wouldst do.
JAQUES
63. What, for a counter, would I do but good?: i.e., I bet you can't name a single thing I might do that wouldn't be good. —A counter was a token . . .
63
What, for a counter, would I do but good?
DUKE SENIOR
64
Most mischievous foul sin, in chiding sin: 65
For thou thyself hast been a libertine,66. brutish sting: beastly lust.
66
As sensual as the brutish sting itself;67. embossed: swollen. headed evils: sores that have festered to heads that are ready to burst open. 68. license . . . foot: i.e., the freedom to live the loose life of a libertine. 69. the general world: i.e., the people of the world in general.
67
And all the embossed sores and headed evils, 68
That thou with license of free foot hast caught, 69
Wouldst thou disgorge into the general world.
JAQUES
70-71. who cries out on pride, / That can therein tax any private party?: i.e., who criticizes the vice of pride that can therefore be accused of attacking . . . 72-73. Doth it not flow as hugely as the sea, / Till that the weary very means do ebb: — "Isn't it true that pride surges along as strongly as the sea . . . 75. city-woman: —In Shakespeare's time (as now) city women are criticized for what is considered to be the extravagant cost of keeping up with fashion.
70
Why, who cries out on pride, 71
That can therein tax any private party? 72
Doth it not flow as hugely as the sea, 73
Till that the weary very means do ebb? 74
What woman in the city do I name, 75
When that I say the city-woman bears 76
The cost of princes on unworthy shoulders? 77
Who can come in and say that I mean her, 78
When such a one as she such is her neighbour?79. he of basest function: i.e., a low-down punk.
79
Or what is he of basest function80. bravery: splendid dress. on my cost: at my expense. 81. therein suits / His folly to the mettle of my speech: i.e., therein [by saying that his clothes didn't cost me anything] foolishly shows that my criticism of him is correct.
80
That says his bravery is not of my cost, 81
Thinking that I mean him, but therein suits 82
His folly to the mettle of my speech? 83
There then; how then? what then? Let me see wherein84. if it do him right: i.e., if my criticism of him is correct. 85. be free: be free of blame; innocent.
86. taxing: criticism; satire.
86. taxing: criticism; satire.
84
My tongue hath wrong'd him: if it do him right, 85
Then he hath wrong'd himself; if he be free, 86
Why then my taxing like a wild-goose flies, 87
Unclaim'd of any man. But who comes here?
Enter ORLANDO [with his sword drawn].
ORLANDO
88
Forbear, and eat no more.
JAQUES
88
Why, I have eat none yet.
ORLANDO
89
Nor shalt not, till necessity be served.
JAQUES
90
Of what kind should this cock come of?
DUKE SENIOR
91
Art thou thus bolden'd, man, by thy distress, 92
Or else a rude despiser of good manners, 93
That in civility thou seem'st so empty?
ORLANDO
94. You touch'd my vein at first:
i.e., you hit upon the truth about me in the first thing you said.
94
You touch'd my vein at first: the thorny point 95
Of bare distress hath ta'en from me the show96. smooth: mild. inland bred: i.e., raised inland (where people are civilized), not in the rude hinterlands. 97. nurture: education, good training.
96
Of smooth civility: yet am I inland bred 97
And know some nurture. But forbear, I say: 98
He dies that touches any of this fruit99. Till I and my affairs are answered: i.e., until I have gotten what I came for. —Orlando's "affairs" are his efforts to obtain food and shelter for Adam and himself.
99
Till I and my affairs are answered.
JAQUES
100. An: if.
100
An you will not be answered with reason,101
I must die.
DUKE SENIOR
102-103. Your gentleness shall force / More than your force move us to gentleness: i.e., Your civilized qualities will do much more than your sword to obtain a civilized answer from us.
102
What would you have? Your gentleness shall force103
More than your force move us to gentleness.
ORLANDO
104
I almost die for food; and let me have it.
DUKE SENIOR
105. welcome to our table: —This scene sometimes starts with the Duke's men bringing in a table, but "welcome to our table" may just be a conventional phrase for "welcome to our company and our meal."
105
Sit down and feed, and welcome to our table.
ORLANDO
106
Speak you so gently? Pardon me, I pray you:107
I thought that all things had been savage here;108
And therefore put I on the countenance109
Of stern commandment. But whate'er you are110. desert inaccessible: remote wilderness.
110
That in this desert inaccessible,111
Under the shade of melancholy boughs,112
Lose and neglect the creeping hours of time113
If ever you have look'd on better days,114. knoll'd: rung.
114
If ever been where bells have knoll'd to church,115
If ever sat at any good man's feast,116
If ever from your eyelids wiped a tear117
And know what 'tis to pity and be pitied,118. Let gentleness my strong enforcement be: i.e., let civilized feelings be my only 119. I blush: —Orlando is expressing shame that he thought these civilized people to be savages. hide my sword: i.e., put my sword in its scabbard.
118
Let gentleness my strong enforcement be:119
In the which hope I blush, and hide my sword.
DUKE SENIOR
120
True is it that we have seen better days,121
And have with holy bell been knoll'd to church122
And sat at good men's feasts and wiped our eyes123
Of drops that sacred pity hath engender'd:124
And therefore sit you down in gentleness125-126. take upon command what help we have / That to your wanting may be minister'd: i.e., take at your will whatever we have that will give you help in your time of need.
125
And take upon command what help we have126
That to your wanting may be minister'd.
ORLANDO
127. but forbear your food a little: i.e., just wait to eat for a little while.
127
Then but forbear your food a little while,128
Whiles, like a doe, I go to find my fawn129
And give it food. There is an old poor man,130
Who after me hath many a weary step131. till he be first sufficed: until he be given what he needs. 132. weak: enfeebling.
131
Limp'd in pure love: till he be first sufficed,132
Oppress'd with two weak evils, age and hunger,133
I will not touch a bit.
DUKE SENIOR
133
Go find him out,134. waste: consume.
134
And we will nothing waste till you return.
ORLANDO
135
I thank ye; and be blest for your good comfort!
[Exit Orlando.]
DUKE SENIOR
136. unhappy: unfortunate.
136
Thou seest we are not all alone unhappy:137
This wide and universal theatre138
Presents more woeful pageants than the scene139
Wherein we play in.
JAQUES
139
All the world's a stage,140
And all the men and women merely players:141
They have their exits and their entrances;142
And one man in his time plays many parts,143
His acts being seven ages. At first the infant,144. Mewling: crying weakly.
144
Mewling and puking in the nurse's arms.145
And then the whining school-boy, with his satchel146
And shining morning face, creeping like snail147
Unwillingly to school. And then the lover,148. Sighing like furnace: i.e., emitting sighs as a furnace emits smoke.
148
Sighing like furnace, with a woeful ballad149
Made to his mistress' eyebrow. Then a soldier,
150
Full of strange oaths and bearded like the pard,151
Jealous in honour, sudden and quick in quarrel,152
Seeking the bubble reputation153
Even in the cannon's mouth. And then the justice,154. fair . . . capon lined. —Capons are male chickens castrated when young to make them especially fat and tasty. Capons were also used to bribe judges. 156. Full of wise saws and modern instances: maxims, [trite] sayings. . .
154
In fair round belly with good capon lined,155
With eyes severe and beard of formal cut,156
Full of wise saws and modern instances;157
And so he plays his part. The sixth age shifts158. pantaloon: foolish old man.
158
Into the lean and slipper'd pantaloon,159
With spectacles on nose and pouch on side,160
His youthful hose, well saved, a world too wide161
For his shrunk shank; and his big manly voice,162
Turning again toward childish treble, pipes163. his: its.
163
And whistles in his sound. Last scene of all,164. strange eventful history: —Jaques is being extremely sarcastic. A genuine "strange eventful history" . . . 165. mere: utter.
164
That ends this strange eventful history,165
Is second childishness and mere oblivion,166
Sans teeth, sans eyes, sans taste, sans everything.
Enter ORLANDO, with ADAM.
DUKE SENIOR
167
Welcome. Set down your venerable burden,168
And let him feed.
ORLANDO
169
I thank you most for him.
ADAM
169
So had you need:170
I scarce can speak to thank you for myself.
DUKE SENIOR
171
Welcome; fall to: I will not trouble you172. your fortunes: i.e., your story. —The Duke is wondering how a gentleman such as Orlando came to be wandering in the forest.
172
As yet, to question you about your fortunes.173
Give us some music; and, good cousin, sing.Song.
[AMIENS]
174
Blow, blow, thou winter wind.175
Thou art not so unkind176
As man's ingratitude;177
Thy tooth is not so keen,178
Because thou art not seen,179
Although thy breath be rude.180
Heigh-ho! sing, heigh-ho! unto the green holly:181
Most friendship is feigning, most loving mere folly:182
Then, heigh-ho, the holly!183
This life is most jolly.184
Freeze, freeze, thou bitter sky,185
That dost not bite so nigh186
As benefits forgot:187. warp: freeze, buckle.
187
Though thou the waters warp,188
Thy sting is not so sharp189
As friend remember'd not.190
Heigh-ho! sing, etc.
DUKE SENIOR
191
If that you were the good Sir Rowland's son,192. faithfully: sincerely.
192
As you have whisper'd faithfully you were,193. effigies: likenesses.
193
And as mine eye doth his effigies witness194. limn'd: sketched, portrayed.
194
Most truly limn'd and living in your face,195
Be truly welcome hither: I am the duke196. the residue of your fortune: i.e., the rest of your story.
196
That loved your father: the residue of your fortune,197
Go to my cave and tell me. Good old man,198
Thou art right welcome as thy master is.199
Support him by the arm. Give me your hand,200
And let me all your fortunes understand.
Exeunt.